Decades, centuries or even the entire history of the world – these films encompass vast stretches of time within a single feature.

Curator Josephine Botting delves into the publicity materials surrounding the release of an Anna Neagle film that has dropped off the map of British cinema, but which is preserved in the BFI National ...

Ella Glendining, Anna Keeley, Sarah Leigh and Cristián Saavedra have been selected to attend IFFR Pro to focus on growing their international networks and build new creative and financial partnerships ...

Thirty years on from Forrest Gump, unnerving de-aged versions of Robin Wright and Tom Hanks have reunited for Robert Zemeckis’ slow, saccharine experiment, which observes centuries of activity from ...

Brady Corbet’s architect saga The Brutalist took nine nominations, with seven each for Anora, Dune: Part Two and Wicked, and six each for the Bob Dylan biopic A Complete Unknown and the Irish-language ...

These guidelines give you the information you’ll need to apply for BFI National Lottery Impact Feature Funding. The BFI National Lottery Filmmaking Fund invests National Lottery funding in a diverse ...

Discovery feature funding provides awards of up to £1,000,000 for projects with debut directors and a production budget of £3,500,000 and below Impact feature funding provides awards of up to ...

Britain’s first animated feature was a long way from Disney. It was an adaptation of George Orwell made at the height of the Cold War and part funded – in secret – by the CIA. Seventy years on, ...

The Russian filmmaker talks to us about the mastery and folly of humankind’s relationship with rock, the “emotional depression of boring architecture”, and his take on Megalopolis.

It contains one of cinema’s fleshiest kisses, but also a moment of pure spiritual transcendence. And it’s the interdependence of these elements that makes Carl Dreyer’s 1955 classic Ordet – which is ...

Nicole Kidman and Harris Dickinson strike up a risky, BDSM-charged office affair in Halina Reijn’s playful drama, Babygirl. Here the director talks about toying with audience expectations of an ...